Caught In A Spiderweb

Inside the tunnel of an underpass, I decided to have some fun with the camera. For safety reasons, try this only when you are a passenger.

Set the camera’s shutter speed to between 1 and 2 seconds. Click and rotate your camera during the length of the exposure. The rotation need not be a full or perfect circle. Your mileage may vary.

To make the light bluish at the end of the tunnel, change the white balance to one of the presets by pre-viewing to see which works best.

This may be one of the last of such colour combos as the city’s street and infra lighting are gradually converted to daylight-coloured LEDs. The spider web patterns here are the result of warmer and older sodium lights.

I wish there are more taillight reds but many local motorists fail to see the need to turn on the lights when entering a tunnel. The red streaks are cars braking into a traffic jam at the end of the underpass.

Sony Alpha a7R, ISO 50, f22, 1.6 sec.

Sungai Bil Waterfalls

The calming sight and soothing sounds of the river belie the ferocious battles that was fought beside it during the Second World War. The road outside was littered with casualties from the British Indian Army attempting to thwart the invasion.

It was on this road that invading Japanese tanks rumbled through in its drive to capture Singapore in the south. This was the old road going north or south until the tolled-Slim River highway was constructed in the 1960s.

74 years later, the actions of the brave men are mostly forgotten or ignored. The river that bore witness remains as stoic as the giant, mossy boulders.

The stoical stance lessens the pain of indignation, I guess. Its banks are now littered with styrofoam boxes from disregardful picnickers.

Sony Alpha a7R, ISO 50, f22, 1/2 sec.