Macro At The Night Market – Putu Mayam

Outdoor macro is hard enough in the daytime with a close-up lens’ extreme shallow depth-of-field. It requires very precise focus. At night, at the pasar malam, it can be a nightmare.

I not only need to light the subject but also to handle the side effect of a curious crowd attracted to the lights like moths to a flame.

Is a challenge but doable if you can find a stall with tables. The ‘assam laksa’ stall usually has some tables and chairs to dine in. They won’t mind you shooting other food there provided you order from them, and explain what you are going to do.

Putu Mayam is the popular Indian vermicelli dessert made from rice flour, steamed with coconut milk and fragrant pandan (screwpine) flavoring. The string hoppers are eaten with grated coconut and golden (gula melaka) coconut palm sugar.

Because the ingredients are nicely textured, the aim was to light it in such a way to create dimension while highlighting the textures of the coconut shavings and golden sugar crystals.

Two Litepanels units were deployed.

Sony Alpha a7R, ISO 100, f9, 1/60 sec.

Rendang

Historically, the Minangkabau people of Sumatra were of a migrating (merantau) culture. Many left home to start new lives in other Indonesian cities, as well as at regional countries. Soon, Padang restaurants were everywhere.

But there was one problem when they wanted to take food along their long journeys through rivers and oceans. Refrigerators weren’t available in the 16th century.

So the enterprising Minangkabaus came up with Rendang, a form of drier curry meat. The special recipe used a combination of spices and cooking methods that resulted in a dish that will last when stored for weeks at room temperatures.

There are now, of course, many regional and different adaptations in both dry and wet versions. The rendang curry, be it chicken, beef or mutton, goes very well with lemang.

Sony Alpha a7R, ISO 2500, f13, 1/160 sec.

Lemang

To add a little explanation for international followers; the delicious dish known as Lemang is believed to be Minangkabau (Indonesian) in origin.

The glutinous or sticky rice is mixed with coconut milk and a little salt. It is then wrapped in banana leaves and cooked over fire in a hollowed-out bamboo tube.

In Malaysia, Indonesia and Singapore, one can see stalls popping up during the Eid al-Fitr Festival, where the delicacy (including the accompanying curry) is cooked and sold from the roadside.

Lemang (pronounced as Ler Mung in Malay) is also a traditional and festive food for the Dayaks and Ibans of Borneo.

Sony Alpha a7R, ISO 800, f9, 1/160 sec.

Nom Nom Yum Yum

Split open the bamboo tube, cut up the sticky rice and pour curry over it. Heavenly.

Sony Alpha a7R, ISO 2500, f9, 1/160 sec.

Mokhtar Le Baker

It is unfortunate that this more than half-a-century old bakery is known as a factory (or kilang). In reality, it is a one-man baker outfit and an artisan one at that. Every loaf, bun and pastry is lovingly hand-crafted by Mokhtar himself. No workers, interns or apprentices behind the scenes.

Put him in Klang Valley and call it a boulangerie patisserie instead of kilang and fad-hungry hipsters will swoon all over him , even without him proclaiming sourdough.

We must be thankful that Mokhtar don’t give two hoots about such things. Not even about glutens. The easy-going character don’t care about a lot of things. He opens at 10:30am or thereabouts and closes at 11:30am or thereabouts, earlier when the breads are sold out.

Fortunately for his customers, the man is OCD about signage. On those days when he decides not to open, Mokhtar places signs on the roads outside announcing “Kilang Roti Tutup” (Bread Factory Closed). They are like those middle-of-the-road placards you see when roads are closed for National Day parade rehearsals. After all, the man and the bakery is Slim River’s most famous landmark or attraction.

It took me three trips on three different days before I could catch him in person. Greeted by a shut door previously, I ended up staring at the piles of broken furniture lying around the yard. That kind of gave me a clue on the eccentric character that he is. Don’t tell me he uses all these broken furniture as firewood to fire up the oven, I wondered.

As it turns out, we get along quite well. For I am as eccentric and OCD like him. I keep telling him the door is not perfectly level.

More on the bakery coming up.

Sony Alpha a7R, ISO 100, f8, 1/100 sec.